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The initial idea to use the figure of Irma Vep for fictionautic investigations comes from the work of Jack Hauser have a look : Tribute to Irma Vep (part one) TRIBUTE TO IRMA VEP – a dance is a homage to the figure of Irma Vep [1], centering around a movement sequence. The sequence deals with movement as trance, as a possibility of transformation and the dissolution of identity. Improvisations with music by the North African Sufi musicians Joujouka were used to create a sequence of positions blending into each other, meditation miniatures – little negotiations with the phenomenon of the material – which lead to peculiar, even grotesque leaps. TRIBUTE TO IRMA VEP – a dance is an intervention which never can take place in a previously existing stage situation. The space is constructed, constituted and then taken over by means of movement. A sound document from a session with the musician Martin Siewert and recordings by the Master Musicians of Joujouka as well as field recordings inserted by Jack Hauser permeate the space. For: that which was secluded by a rite can be returned to the profane sphere by another rite. Concept and Choreografy: Jack Hauser, Sabina Holzer |
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[1] IRMA VEP: She was the figure of the fantastic and sinister, a mysterious shadow; - the female pendant to Fantômas: Irma Vep performed by Musidora. She appeared the first time in 1914 in the crime series of Louis Feuillades "Les Vampires". As "femme nouvelle" she was tracking her specific line throughout the different definitions of class and gender.
WUK_INVITES - Spurensuche: Code Irma Vep ('08) |
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